Alessandro De Rosa Morricone Biography: Wikipedia, Net Worth, Age, Wife, Children

Alessandro De Rosa (often referenced with the name connection “De Rosa Morricone” because of his close professional relationship with Ennio Morricone) is an Italian composer, author, and musical thinker born in Milan in 1985.

He has become known both for his own compositions and for the rare, public intellectual partnership he developed with Ennio Morricone in the final years of the maestro’s life — including long-form conversations and a book-length interview that explore Morricone’s life, creative process, and views on music.

Early life and education

Born in Milan in 1985, De Rosa began his musical training in Italy. On the advice of Ennio Morricone he pursued composition seriously, studying with Boris Porena in Rome and later completing advanced studies at the Royal Conservatory of The Hague in the Netherlands. His international education and grounding in both Italian and Northern-European contemporary music schools shaped a compositional voice attentive to orchestration, timbre, and the dramaturgy of sound.

The meeting with Ennio Morricone and their collaboration

A defining feature of De Rosa’s public profile is his relationship with Ennio Morricone. What began as mentorship and encouragement eventually developed into a collaborative intellectual exchange: interviews, dialogues, and projects that preserved and reflected on Morricone’s vast experience. De Rosa compiled and edited long conversations with the maestro that have been published and referenced by scholars, musicians, and enthusiasts — most notably the book that presents Morricone “in his own words” as seen through their conversations. This connection positioned De Rosa as both a student of, and a cultural interlocutor for, one of the greatest film composers of the 20th century.

Career as a composer and author

Beyond his association with Morricone, Alessandro De Rosa is an active composer whose work spans concert music, scoring, and interdisciplinary collaborations. His compositions reflect a modern sensibility that blends classical training with cinematic awareness — an understandable outcome given his close exposure to film music’s grand masters. As an author and editor, De Rosa has worked to document, contextualize, and critique film-music traditions, bringing historical depth to contemporary composition practice.

Notable works and publications

De Rosa’s most widely noted public contribution is his editorial and interview work with Ennio Morricone, including book-length dialogues that allow readers unprecedented access to Morricone’s thoughts on craft and life. These interviews are used in academic contexts and by film-music fans to understand the maestro’s approach. Additionally, De Rosa’s own musical output — recordings, commissioned works, and performances — demonstrates his versatility across media. (For specifics on published volumes and recorded works, see his official site and professional profiles.)

Artistic style and influences

De Rosa’s music is informed by classical technique, contemporary composition methods, and a deep appreciation for cinematic narrative. His mentors and associations (including Boris Porena and Ennio Morricone) gave him an uncommon vantage point: the rigour of concert music alongside the dramatic concerns of film scoring. Listeners and critics often describe his approach as thoughtful, textural, and attentive to instrumental color.

Public presence and media

De Rosa maintains a public profile through his official website, interviews, and published works. He appears in film and music databases (such as IMDb) with credits in composition and music department roles, and his conversations with Morricone have been featured in music press and book retailers — connecting him with a global readership interested in film music history.

Why Alessandro De Rosa matters

There are two clear reasons De Rosa has become significant in contemporary musical culture. First, his own creative output shows a promising composer with a refined ear for orchestration and drama. Second — and perhaps more uniquely — his role as a custodian of Morricone’s thoughts and as an interpreter of the maestro’s ideas gives scholars and fans a living bridge to a pivotal figure in film music. In short, De Rosa both composes and curates musical heritage.

FAQs

Is Alessandro De Rosa the son of Ennio Morricone?

No. Alessandro De Rosa is not a family member of Ennio Morricone; he is a composer and author who worked closely with Morricone as a student, interlocutor, and editor of long conversations. Their relationship was professional and intellectual rather than familial.

What book did De Rosa publish with Morricone?

De Rosa is credited with compiling and presenting extended conversations with Ennio Morricone, published in formats that include books and translated editions where available. One widely referenced volume features the maestro “in his own words” as captured through De Rosa’s interviews.

Where did Alessandro De Rosa study music?

He studied composition first in Italy (including study with Boris Porena) and later at the Royal Conservatory of The Hague in the Netherlands.

What are some recordings or films that feature De Rosa’s music?

De Rosa’s professional credits include music-department and composition roles listed on databases like IMDb; for a current and complete list, consult his official site and filmography entries.

How can I read De Rosa’s conversations with Morricone?

The conversations have been published in print and may be available through book retailers, libraries, and academic collections; the book “Ennio Morricone: In His Own Words” (as an example of the format and style in which these dialogues are presented) is available via major book sellers.

Conclusion

Alessandro De Rosa is a contemporary figure whose importance lies in both his individual creative work and his role as an interlocutor for one of the most influential composers of modern cinema. Whether you approach him as a composer to follow, an author to read, or a guardian of musical memory to consult, De Rosa’s career offers a rare combination of composition craft and cultural preservation. For those interested in film music and contemporary composition, his work is an intriguing, well-documented path forward.